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The Coasts of Bohemia: A Czech History

The Coasts of Bohemia: A Czech History
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Manufacturer: Princeton University Press
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Binding: Paperback
Dewey Decimal Number: 947
EAN: 9780691050522
ISBN: 069105052X
Label: Princeton University Press
Manufacturer: Princeton University Press
Number Of Items: 1
Number Of Pages: 408
Publication Date: 2000-02-28
Publisher: Princeton University Press
Studio: Princeton University Press

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Editorial Reviews:

In The Winter's Tale, Shakespeare gave the landlocked country of Bohemia a coastline--a famous and, to Czechs, typical example of foreigners' ignorance of the Czech homeland. Although the lands that were once the Kingdom of Bohemia lie at the heart of Europe, Czechs are usually encountered only in the margins of other people's stories. In The Coasts of Bohemia, Derek Sayer reverses this perspective. He presents a comprehensive and long-needed history of the Czech people that is also a remarkably original history of modern Europe, told from its uneasy center.

Sayer shows that Bohemia has long been a theater of European conflict. It has been a cradle of Protestantism and a bulwark of the Counter-Reformation; an Austrian imperial province and a proudly Slavic national state; the most easterly democracy in Europe; and a westerly outlier of the Soviet bloc. The complexities of its location have given rise to profound (and often profoundly comic) reflections on the modern condition. Franz Kafka, Jaroslav Hasek, Karel Capek and Milan Kundera are all products of its spirit of place. Sayer describes how Bohemia's ambiguities and contradictions are those of Europe itself, and he considers the ironies of viewing Europe, the West, and modernity from the vantage point of a country that has been too often ignored.

The Coasts of Bohemia draws on an enormous array of literary, musical, visual, and documentary sources ranging from banknotes to statues, museum displays to school textbooks, funeral orations to operatic stage-sets, murals in subway stations to censors' indexes of banned books. It brings us into intimate contact with the ever changing details of daily life--the street names and facades of buildings, the heroes figured on postage stamps--that have created and recreated a sense of what it is to be Czech. Sayer's sustained concern with questions of identity, memory, and power place the book at the heart of contemporary intellectual debate. It is an extraordinary story, beautifully told.


Spotlight customer reviews:

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: Not a history - More of a bore
Comment: If a book claims to be a history of a place, then it should at least give the reader decent coverage of the history of that place. But this book fails in that most basic requirement. The author is much more interested in discussing Alfons Mucha and how the Munich Agreement affected this relatively unknown artist than he is in discussing how Czechoslovakia ended up the victim of Hitler. But that fairly well reflects the book as it is more a history of various Czech authors and artists than it is of the Czech people.

The back of the book makes the claim that the book is a "comprehensive history of the Czech people." Unfortunately this is not true. Turn to any page and instead of reading about an event in Czech history, you will read about a sculptor or magazine editor and how they felt about some event that is never actually explained. The book is a struggle to get through if you are not already familiar with the history of Bohemia. If you don't know much about the Slansky trials of the early 1950's, don't expect to know more after reading this book other than what books were banned. And for some unexplained reason, the author decided to end his book in 1960, just before the the reforms that led to the Velvet Revolution. I learned much more about Czech history reading "Under the Cruel Star" than I did reading this book.

Perhaps the book would have been better off described as a review of art and literature in Bohemia up until 1960. At least the book would have been more accurate in its description. After reading this book, I do not feel that I understand the people of the Czech Republic any better than when I started. I can truly say that this is a book that I did not enjoy reading in the least. If ever there was a book that made me feel I wasted my money, this is that book.



Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Poetic scholarship!
Comment: Anybody wanting to gain a deeper knowledge of the Czech people, Czech culture, and Czech spirit should read Derek Sayer's 'The Coasts of Bohemia.' Anybody wanting to dive into the sticky mess of Central European history would also do well to read this book. And those unbelievers who think that a scholarly work must be by its very nature dry and dense, MUST read this book.

Sayer's work stands alone in the veritable dearth of good works dealing with Czechdom. A towering mountain, 'Coasts' is far and away the best door to a culture and nation little understood in the 'West.' In this monumental work, Sayer continues in the grand tradition of Czech historiography started by the grand master of Czech history, Palácky. And like Palácky before him, Sayer attempts to give an answer to that elusive question: Who are the Czechs?

Starting his work with the formulators of written Czech, Josef Jungmann and Josef Dobrovsky, Sayer makes a wise decision. During the Hapsburg rule from 1620 to 1918, the only real home of Czechdom was Cestina, the Czech language. From there, Sayer takes the reader on a serpintine journey through the heart of Czech cultural consciousness. We meet up with poets of the national awakening like Karel Hynek Macha, whose epic poem, 'Máj,' could easily be considered the Czech people's Aeneid, a work that defines who they are as a voice in the cacophony of Europe. Critics of culture like F.X. Salda and voices of modernism in Czech culture like Kundera or the Noble Prize-winning poet, Jaroslav Seifert, also make appearances as Sayer makes a case for the Czech artistic voice being paramount in the creation of national identity. Sayer shows how even supposedly 'international' art trends like surrealism and social-realism all served a very selective end: the search for national identity.

In the realm of politics and ideology, Sayer argues that the Czechs have pursued an uniquely singular course throughout their history. The first people in Europe to rebel against catholic uniformity (hence the term 'bohemian'), Czech preacher, Jan Hus, laid the groundwork for Luther's more cathartic 'reformation.' The followers of Hus, the 'Hussites' not only preached a more Gospel-centered Christian creed stripped of the Roman church's ceremony and tradition, but promoted a lifestyle of radical egaliterianism. This conception of a rank-less society more than anything irked the Catholic Hapsburgs who waged a long and savage war with the Hussites until 1620 when the Austrian Hapsburgs put their unruly neighbors under the boot of Catholic rule until the demise of Austro-Hungary in 1918. Sayer argues that the coals of Hussiterian democracy never cooled down completely but instead smoldered on until the creation of Czechoslovakia in 1918. This grand social experiment led by the teacher-ideologue, Tomas Masaryk, proved to be Central Europe's only real democracy during the years between both world wars. Yet, Sayer makes a strong claim that Hussitism only gained full resurrection (albeit in a radically perverse form) with the ascension to power of the Czech Communist Party in 1948. The Hussite dream of a radical levelling of all economic and social class was made real with the party's drastic restructuring of Czech society which included the violent expulsion of the Sudeten Germans from the Czech lands, the shameful odsun of 1946-47. Czech communists soon took their ideology of 'people's democracy' to such radical extremes that they stamped out all forms of dissent in their quest to create uniform Czech society. Kundera's novels paint a grim picture of a society which sought to regulate, control and oppress its citizens in even the most intimate of spheres.

By the time the reader finishes 'Coasts,' he/she will not only be wiser by far, but quite exhausted as well. The sheer detail and volume of Sayer's information threatens at times to overwhelm the reader. That one quarter of the book is devoted to 'notes' is not by chance. Yet, even these notes are fascinating cultural and historical tidbits. If Sayer's work has a flaw, it lies in the author's selection of material. Selection is the most crucial (and most difficult) element of historiography. What to include, what to exclude, not only makes or breaks a work, but also carries echoes for generations to come. Who and what is left out of the history books is often doomed to oblivion in day to day life as well. Thus said, Sayer's work attempts to define Czechness around a deliberately tiny base. That of one province, Bohemia. While Bohemia did suffer the lion's share of conflict with the neighboring Germans as well as play a central role in the national awakening, two other Czech lands, Moravia and Czech Silesia have also played crucial roles in the formation of Czech identity. Some of the most internationally-known Czech artists originate from these parts i.e. Kundera, Janácek, Lysohorsky and even Mucha. Unfortunately, Sayer glosses over the cultural and historical connections with these lesser-known Bohemias. Moreover, his treatment of Slovakia's role in the making of the Czech nation and Czechoslovak 'idea' is cursory at best. A grievious absence considering the prominent role many Slovaks have played in Czech political life from Masaryk to Dubcek.

All in all though, there is little room to complain. Sayer's work has filled a gapping hole in Central European studies. A profound act of scholarship and one written in a style approaching the lyric, 'The Coasts of Bohemia' is a giant indeed. Read it!

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: The Coasts of Bohemia -- a truly beautiful voyage of discovery
Comment: Derek Sayer's book is exceptional well written and informative, indeed the text is positively lyrical at times. The aim is to provide an understanding of a "people of whom we know nothing" in Central Europe, and Sayer does a masterful task in shaping and clarifying Czech national identity and national culture.

The book is not simply a historical text. While the history is there, and while there is copious scholarly detail and referencing of historical events, the main strength of the text is in illustrating a deep national awareness in literature and the arts. One can almost imagine walking with Sayer on his return visit to Prague, walking through the magical streets of this beautiful city and commenting on buildings, street names, and monuments. He has a delicate but assured ability for capturing detail, coincidence, and irony. The book reads very well and it is amazing to remember that the original text was written in Czech and translated into English by the author's wife.

This is an excellent way of understanding more about Czech lands and the Czech spirit and identity. It is a very beautiful literary work that rejoices in the artistic and literary richness of the Czechs, particularly over the last century. I, for one, am very grateful that Derek Sayer made it back to his homeland to reflect on complex issues of history, national identity, and national culture and to write this masterful book: a must for those of us who love the Czech lands and their peoples.


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Where is My Home?
Comment: Sayer takes an original, creative approach in writing the history of Czech culture. Sayer's book is predicated on the notion that the nation is an imagined community, constantly being re-invented and examines what Czechs have long remembered and forgotten about themselves and their little nation.
The book is unique because Sayer does not employ the typical linear approach to writing history, rather, he casts a wide net over the entire spectrum of Czech intellectual activity from 1618-1960, focusing on the cultural borders of language, symbols, and identity vis-vis the Germans just to name a few. Sayer brings the seemingly obscure to life in a lucid, pleasurable read.
The book highlights the Czech feeling of "smallness" or "malostnosti" within Europe. The Czechs have long been at the center of political, cultural, and philsophical developments over the course of history but tragically were often passive observers to events in their own land due to being subjects of other nations' empires. As a consequence, Czechs felt a powerful need to define their cultural coastlines. Their national anthem, "Gde Domov Muj" or "Where is My Home" is indicative of the Czech historical quest for identity and national destiny.
Sayer takes leave of his story circa 1960 when socialism was at its appogee. This tremendous book is the difinitive source of Czech historical culture. To understand the challenges of integrating the "East" into the EU and the senstivities of small nations, read this book.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: A Czech "Cultural" History
Comment: A previous reviewer is right--this is not a Czech history. But it is the history of how Czech culture has been formed. For that, it is fascinating--For a straight history, look elsewhere. If you are travelling to Prague, it will make many sites much richer--Vysehrad cemetery, the National Theatre, Old Town Square.


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