Czech Hotels Travel :: Capek: Four Plays


Capek: Four Plays

Capek: Four Plays
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Manufacturer: A&C Black
Average Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5

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Binding: Paperback
Dewey Decimal Number: 790
EAN: 9780413771902
ISBN: 0413771903
Label: A&C Black
Manufacturer: A&C Black
Number Of Items: 1
Number Of Pages: 256
Publication Date: 2000-05-15
Publisher: A&C Black
Studio: A&C Black

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Editorial Reviews:

Karel Capek (1890-1938) was one of the most original Czech writers of the 1920s and 30s, whose works were the inspiration for most of the science fiction of Europe and America. Endlessly inventive and extraordinarily prescient, full of humor and wit, his plays explore and defend man's humanity. This volume brings together fresh new translations of four of his most popular plays, relevant today more than ever. In R.U.R., the Robot-an idea Capek was the first to invent-gradually takes over all aspects of human existence except procreation; The Insect Play is a satirical fable in which beetles, butterflies, and ants give dramatic form to different philosophies of life; The Makropulos Case examines human mortality, finally celebrating the average lifespan; and The White Plague is a savage and anguished satire against fascist dictatorship and the virus of inhumanity.

"There was no writer like him ... He made it possible to actually invent worlds, and with laughter into the bargain. This prophetic assurance was mixed with a brand-new surrealistic humor, and it was honed to hard-edged social satire, still a unique combination."-Arthur Miller




Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Check out this Czech
Comment: Be prepared to enter another world. The Capek's (for many of the plays are actually written by Karel and his brother - and expressionist artist - Joseph) speak to us today loud and clear from a realm linked to ours but slightly askew. Their perceptions are insightful and their vision resonates still. Whether exploring the inhumanity of man or the humanity of the machine, the futility of labour or the glory of the prolitariate, Capek demands consideration.

The translation of the four plays contained in this volume are engaging in their use of the contemporary idiom, though show a little excess due to hindsight ( especially in R.U.R. ). It is however good to have a new version of these pieces, Selvers translation ( which is available in other editions )being used since 1921, though good, has not the clarity necessary for the current century.

Thanks must go to the publishers for bringing these plays back into the public domain. I for one hope to see further volumes so a new audience can truely grasp the bredth and depth of both Karel and Joseph Capek's creative vision.



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